Archive for: July, 2011

Not Just Another Berlusconi: Gianni Di Gregorio and ‘Salt of Life’

Not Just Another Berlusconi: Gianni Di Gregorio and ‘Salt of Life’

Gianni Di Gregorio’s newest film, Salt of Life (Gianni e le donne, 2011) was screened at a special preview at London’s Curzon Mayfair cinema last Thursday (21 July). Following the screening, the director was present for an entertaining Q&A filled with affable anecdotes.   Salt of Life is a story of late middle-age and revolves [...]

Cinema City’s Serbian Wallflowers

Cinema City’s Serbian Wallflowers

  When writing a film festival report, the tendency is to focus on the films that have won awards: this was true of my own reports on the Cinema City IFF for the Little White Lies blog and FEDEORA (the Federation of Film Critics of Europe and the Mediterranean). Yet the films that don’t win [...]

Why did ‘The Tree of Life’ need dinosaurs?

Why did ‘The Tree of Life’ need dinosaurs?

About twenty minutes into Terrence Malick’s “The Tree of Life,” there is a sequence that chronicles the creation of the universe. There is darkness, then supernovas of stellar light, volcanic eruptions, fire, and colossal swells of waves and gushing water. Once the earth as we have come to know and recognize it has taken shape, [...]

‘My Wedding and Other Secrets’ at Barbican’s New Zealand Film Festival

‘My Wedding and Other Secrets’ at Barbican’s New Zealand Film Festival

Blink and you’d have missed it: the Barbican’s New Zealand Film Festival 2011 took place over just 3 days in London last weekend. Although it is a nice idea for every country, however small, to have its own festival, it might have been a better to hold one combined festival for Australia and New Zealand, [...]

Incontinent ingliss: ‘Delhi Belly’ spells fun with a capital ‘F’

Incontinent ingliss: ‘Delhi Belly’ spells fun with a capital ‘F’

I watched “Delhi Belly” twice. The first time in the original English/Hindi format and the second time in the dubbed Hindi. It was a different experience each time and frankly, this is an English language film through and through, never mind the litany of Hindi profanities punctuating it. The celluloid-burning cussing is the USP of [...]

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