Archive for: December, 2011

Online critics announce nominees for 2011 OFCS Awards

Online critics announce nominees for 2011 OFCS Awards

“The Tree of Life”, Terrence Malick’s exploration of suburban family life in the 1950′s, received seven nominations for the 15th Annual Online Film Critics Society awards. The film was nominated for Best Picture, Best Director (Malick), Best Supporting Actor (Brad Pitt), Best Supporting Actress (Jessica Chastain), Best Original Screenplay, Best Editing and Best Cinematography. Joining [...]

‘The Hobbit’ official trailer #1

“The Hobbit: An Unexpected Journey” follows Bilbo Baggins on an epic quest to reclaim the lost Dwarf Kingdom of Erebor, which was long ago conquered by the dragon Smaug. Recruited by legendary wizard Gandalf the Grey, Bilbo joins a company of 13 dwarves led by the famed warrior, Thorin Oakensheild. Their journey takes them through [...]

Dancing through hardship: Why ‘Happy Feet Two’ is better than you think

Dancing through hardship: Why ‘Happy Feet Two’ is better than you think

After five years to the day, George Miller continues his epic penguin odyssey in “Happy Feet Two,” and more than any recent film I have to say I’m befuddled and confused by the terrible reception it has received (although I have my theories on that, which I’ll shortly address) because while it does have its [...]

Cinema’s 9 Circles of Hell

Cinema’s 9 Circles of Hell

The cinema: paradise, at times, but many are the sins that writers, directors, cinema owners and fellow audience members can commit to bring the whole experience swiftly down to the ground. Dante came up with nine different levels of torture in his vision of Inferno, so allow me to lead you through cinema’s lower depths, [...]

‘The Other’ at The 2nd London Iranian Film Festival

‘The Other’ at The 2nd London Iranian Film Festival

The London Iranian Film Festival is only in its second year, but already it boasts an enchanting and highly professional-looking trailer, as well as a varied line-up of films that blast open the old 80s stereotype of Iranian films as being superficially sweet studies of childhood in which social commentary was necessarily covert. It is [...]

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