“Melancholia” is Lars von Trier’s intelligent, melodramatic, achingly beautiful and wickedly funny new film. It tells the story of Justine (a transcendent Kirsten Dunst), a severe depressive, and her doting and practical sister, Claire (Charlotte Gainsbourg). Justine’s depression takes the corporeal shape of a planet called Melancholia, which is on a steady collision course with [...]
At the screening I attended of Jan Švankmajer’s Surviving Life (Theory and Practice) (2010), there were two walk-outs. I was tempted to follow, but my love of the great Czech animator’s previous work won out, making me want to experience, if not enjoy, every minute of his latest film. Newcomers to Švankmajer would do [...]
The London Iranian Film Festival is only in its second year, but already it boasts an enchanting and highly professional-looking trailer, as well as a varied line-up of films that blast open the old 80s stereotype of Iranian films as being superficially sweet studies of childhood in which social commentary was necessarily covert. It is [...]
Going to the cinema is one of many everyday pleasures to be had in Paris: the typical variety of films on offer, particularly in the Latin Quarter, seems like a 365-day film festival. On any given day, you could see the latest Hollywood release, new independent films from around the world, or a range of [...]
I won’t give too much away about The Skin I Live In (La piel que habito): unlike Woody Allen’s films, an Almodóvar doesn’t come along every year, so it’s important to savour them. Psychologists at the University of San Diego recently discovered that people tended to enjoy short stories more when they already knew the [...]
It’s a well-worn observation that the book is better than the movie. But what about the graphic novel? It seems reasonable to expect the transition from one predominantly visual medium to another to be smoother. It was pleasing to see Marjane Satrapi’s Persepolis gain wider attention through the animated film adaptation she directed in 2007 [...]
The feature debut of director Tomáš Lunák, Alois Nebel (2011) is an animated film based on a trilogy of graphic novels by Jaromír99 and Jaroslav Rudiš. The film’s black-and-white images sometimes look like a graphic novel come to life. At other times, they possess the stark enchantment of woodblock prints. Through the use of rotoscope [...]
The Kids Are All Right (Lisa Cholodenko, 2010) was a highlight of last year’s BFI London Film Festival. This year’s highlight looks set to be The Descendants (Alexander Payne, 2011), a film similar in many ways. At the dramatic centre of The Kids Are All Right was the desire of a lesbian couple’s two kids [...]
Making a comedy about cancer is risky business. Making a comedy about a young, attractive person with cancer is self-sabotage. People don’t go to mainstream movies to be bummed out, or to be offended by the trivializing of something that should bum them out. Director Jonathan Levine (“The Wackness”) has a simple solution to this [...]
After making her feature debut as an actress in Bosta (2005), a film about a travelling dance troupe and their eponymous bus, Nadine Labaki went on to direct her own films, in which she also stars, always as a seductive but independent-minded character. She began 4 years ago with Caramel (Sukkar banat), a romantic comedy [...]
DIFF 2012 Reviews: ‘Cinema Six,’ ‘Compliance,’ ‘Faith, Love and Whiskey’
Things I Don’t Understand (2011)
Jiří Trnka: Animation Retrospective
Lowlights of Cinélatino
Brevity Pays Off
‘A Secret World’ at Cinélatino
‘Future Lasts Forever’ at Sofia
Two Treatments of Italy’s Fascist Past
‘The Leopard’: novel, opera, but above all, film
We’ll always have ‘Casablanca’
