Earlier this year, when it was revealed that Anne Hathaway had been cast as Catwoman in Christopher Nolan’s hugely anticipated “The Dark Knight Rises,” fans were apprehensive. Had the announcement been made immediately after Hathaway’s career affirming turn in “Rachel Getting Married” (2008), folks might have been a little more accepting. But one over-eager Oscar [...]
March 22, 2011 | Published in
Essays,
Features |
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Batman may have found himself a new love interest, and a new baddy to defend Gotham against once again. On Wednesday, Warner Bros. Pictures announced that Anne Hathaway (“Rachel Getting Married”) has been cast as Selina Kyle (Catwoman) in Christopher Nolan’s “The Dark Knight Rises.” The “Memento” and “Inception” director will be back to helm [...]
January 19, 2011 | Published in
Features,
News |
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The Sun, a British tabloid, announced Wednesday that they had the scoop on a bit of casting news for Christopher Nolan’s followup to the unimaginably successful, “The Dark Knight,” for Warner Bros. They reported that Megan Fox, the sultry star of Michael Bay’s “Transformers,” movies would be “slipping into the famous PVC catsuit.” As is [...]
August 26, 2009 | Published in
News |
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Throughout cinema’s storied history, we’ve come to know and love an array of grand achievements. The likes of On the Waterfront, The Godfather, and 2001: A Space Odyssey, have challenged, entertained, and touched us, spoken to our spirits. But while the beloved masterpieces of the silver screen will always be with us, there are countless [...]
June 24, 2009 | Published in
Columns,
Under the Radar |
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What do you get when you mix the anti-vowel (McG) director of “Charlie’s Angels,” with the anti-character, anti-plot writers of “Catwoman?” “Terminator Salvation,” of course. How bad is it? You’ll have to listen to the dizzying, time-travel-laden podcast to find out! Also, “Night at the Museum: Battle of the Smithsonian” is yet another example of [...]
June 2, 2009 | Published in
FilmCast |
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The idea that the machines that enrich our lives today will eventually achieve sentience and take over the world is one of Hollywood’s most compelling tropes. “The Matrix,” “I, Robot,” and to a lesser extent, the Emilio Estevez flick, “Maximum Overdrive” all indulge in some variation of this robotic demise of mankind. But for all [...]