Truth in Cinema; Does it Matter?: Peter Greenaway’s Rembrandt Experiment

In the last two years, Peter Greenaway has made two films about Rembrandt. More accurately, he’s made two versions of the same film about Rembrandt – a tableau-vivant period piece (“Nightwatching”) and an academic video essay (“Rembrandt’s J’Accuse”) – both of which come stocked with all the director’s signature tics. They also intensely plumb the [...]